Built in the style of the Impossible Box with custom lamps, keys and switches, all cloth covered cable patch cables, labeled and brass framed panels all built into the custom oak case with internal power supply. Designed to act as a standalone acoustic electronic bio-feedback workstation capable of entire lush compositions. All sections have tip connectors specific to the sound field, and/or each section features a standard 1/4" in and out to allow them to be used to process, sample, mangle or transform any external audio. The cloth covered cables included are also stackable to allow for a range of other possibilities. All CV control jacks are 3.5mm.
The central processing section is essentially a time machine - a piece designed to heavily alter captured loops in thousands of way by use of a magnetic patchbay with patchable keys. This section has 3 voltage clock and/or LFO voltage signals which can be used to synch the other sections via CV, or sent out to control external modular synthesis. Additionally, the 1/4" "tap out" can be sent to any equipment that recieves tap signals, or as a simple method to convert to a midi clock.
There are four acoustic elements - two garden panels, a stringed section reminiscent of the mobius harmonizer and a textured blank panel which can be used to capture micro sounds. Any of these acoustic sections can be sent into any of the other panels for processing/sampling, or they can be sent into the four channel mixer.
The mixer amplifies the signals and allows for volume control of each to be sent into any of the following;
the delay section provides delays from extremely tight to about 1.5 seconds with near endless repeats - like that of the micro garden. It also accepts control voltage from either the time machine section or any external CV to control on/off and time.
The wave reverb section provides lush waves like that of the Luminist Garden, but also switchable to provide analog delay like that of the illuminist Garden. It also features CV in to control on/off and has decay when switched off so there are no sudden stops in the wave. The time machine CV out will activate and deactivate the reverb in time if patched to the clocks.
The Filter section has mix, resonance and frequency control and CV in to control the frequency - also patchable from the time machine for synchronization.
The result is a piece that's capable of entire fields of sound and deep, rich and layered compositions.
Aside from the Impossible Box (Arius' own studio piece), this is the finest work by Mr Blaze to date.